Post by Deleted on Mar 12, 2021 18:50:57 GMT -5
The camera shows two guards guiding Sarah Lynn to a door next to the D Block cells on the second floor. A guard puts his hand on the door handle and opens the door.
Guard: You’ve to go in there.
Sarah Lynn looks around the area and notices nobody is in any of the cells.
Sarah Lynn: Why have I got to go in there? It doesn’t even look like anyone has to come to this area.
Guard: All we were told was you had to attend a meeting in there.
Sarah Lynn: A meeting? Who asked for this meeting?
Guard: All we know is someone has asked to talk to you.
Sarah Lynn: What kind of person has the freedom to pick a meeting location? I spent months being told I wasn’t allowed to talk to anyone, now you’re telling me an unknown person can just request to see me. I need to speak to a lawyer or someone about this. However, before I do anything I want to know what about the two of you? Will you be in there with me? You know I can’t just go around the asylum without guards with me.
Second Guard: We understand that there are guards already in there so our job is to now watch this door, so you’ll be fine.
Sarah Lynn: In that case, I guess I have no choice but to go in there.
Sarah Lynn slowly walks to the door and enters the unknown room. As one of the guards closes the door the camera shows an empty room that’s in black and white lighting.
Sarah Lynn: Hello? Is anyone in here?
Sarah Lynn looking at a wall walks around the room.
Sarah Lynn: What’s going on? Why is this room all black and white?
Sarah Lynn looks at her hands and they’re black and white as well. Sarah looks at her clothes and they’re black and white as well.
Sarah Lynn: So the strange lights in this room have made me black and white as well.
Sarah Lynn continues to walk around the room, still looking between the walls confused about what’s going on. She finally sees the back of a person looking at the wall. Sarah Lynn walks over to the figure.
Sarah Lynn: Due to the lights I can’t tell if you’re a guard or not but why are you facing the wall?
The figure doesn’t reply.
Sarah Lynn: Wait a minute, the guards outside the door wouldn’t look at the door of this room, they would look at the Training Room. Are the guards in here copying those guards? If they are then where’s the host of this meeting?
Sarah Lynn walks past the guard and looks directly in front of her. The camera rotates and shows more guards looking at the wall on both sides of the room.
Sarah Lynn: More guards but still no clues about who organized this, or how they did it. I’m going to assume that the host wants me to walk to the end of the trail of guards.
Sarah Lynn begins to walk down to the end of the room.
Sarah Lynn: None of these guards are saying anything. They’re not moving at all. Are they even real?
Sarah Lynn finally makes it to the back of the room. A woman runs to Sarah and hugs her.
Woman: Sarah you finally made it.
Sarah Lynn pushes the woman back.
Sarah Lynn: Kirsty? What are you doing here? What’s with this room?
The camera rotates and shows Kirsty Mascara in black and white as well.
Kirsty Mascara: Yes Sarah it’s me. I’m here because of secrets. They talk to me and they want you to know the truth about everything. So I’m going to let you ask a question. Just a question but make sure it’s the right one that you ask.
Sarah Lynn: If you’re here to tell me secrets does that mean you know something about the night when I was arrested?
Kirsty Mascara: That’s right Sarah I do know things about that night. On the day you bumped into the man I was at that same wrestling training session that you were that day.
Sarah Lynn: That doesn’t sound like a secret because I remember you being there.
Kirsty Mascara: Let me finish. On the day I arrived really early. As I was waiting on others to arrive, I saw a ladder. In a curiosity might kill a cat but it’s not laid a finger on me yet moment I walked over to it and I set it up against the wall. I then climbed onto the roof of the training building and I sat up there until it was finally time to go into it for wrestling training. Somewhere in the region of forty-five minutes before training started, I saw a black car arrive and park outside the building. Inside the car, there was a man inside it and from where I was it looked like he was holding binoculars.
Sarah Lynn: Do you have any other secrets about this moment?
Kirsty Mascara: Of course I do. From where I was it looked like the man was looking at a specific person. The problem is I couldn’t see who he was looking at.
Sarah Lynn: So there’s a chance it might not have been me?
Kirsty Mascara: The next part might confirm that theory. So there we all were in the wrestling training session with the trainer giving us his legendary we’re just as bad as John Blade at cutting promos lines when his phone rang. He looked at one of the other students and said “Listen I need to take this.” That’s when he picked up a phone and ran into a toilet to answer it. Due to the fact that we were on a break, I went to the women’s toilet myself and that’s when I could hear shouting from the men’s toilet “What do you mean I owe you two million dollars? My wife will kill me if she finds out. What do you mean there’s now a hunt for me and someone has already found me and seen me?”
Sarah Lynn: So whoever he was on the phone to sent people to look for him but they couldn’t do anything else because there were too many of us with him at the time.
Kirsty Mascara: Exactly but there’s more. That night you were walking in the street heading towards the train station I was walking to get a bus on the other side of the street. That’s right Sarah I saw what you’ve been led to believe was a bump into the man. The reality is he recognized you from outside the wrestling training school and he moved his arm slightly closer to you so that you would bump it. It wasn’t an accident he wanted you to bump it on purpose so that he could send a message to the trainer.
Sarah Lynn: You were there when that happened? What else did you see that night?
Kirsty Mascara: I watched the man shout at you, he was loud enough that the entire street could hear him say you hit him and he was calling the police. Unfortunately, on the phone, he had to act like the victim so I couldn’t hear what he told the police on the phone. However, I did watch the police arrive in the area and question him. Again, from where I was, he tried to play the victim and make the most out of the situation. Then the police questioned you, but their mind was made up. You did the assault therefore you had no choice but to go to jail that night.
Sarah Lynn: What did you do?
Kirsty Mascara: My bus arrived so I went home.
Sarah Lynn: So you don’t have any other information about that night?
Kirsty Mascara: Not that night but I do know other secrets about the event.
Sarah Lynn: In that case please continue.
Kirsty Mascara: My dad is very obsessed with his kids being involved in his work. He likes to install CCTV cameras in locations a lot of which are very well hidden that people don’t know they’re there. The story goes a week or so after a court decided that you were guilty. My dad dragged me there to help him repair some cameras. So there we were in a Security Office in the court trying to work out what cameras were broken and what ones were working fine. It just so happened that a camera outside needed to be repaired so my dad left me in the room so that he could go and fix it. I was bored and out of my mind, so I came across a box. Inside the box, there were smaller boxes and inside those were discs. So, I took a box out and it had a date on it. I opened the box and put the DVD into a driver, and it came onto a screen in the room. The next thing I saw was the man who you bumped into opening a briefcase with money in it. The man then closed the briefcase and gave it to someone dressed as a court sheriff.
Sarah Lynn: A bribe?
Kirsty Mascara: Exactly, you’re only in here because the sheriff that you had in court was bribed to lock you up in here.
Sarah Lynn: Is there any way you can get evidence to support this?
Kirsty Mascara: Unfortunately, not anymore. As you now know I’m an inmate in this asylum. I’m in here because of.
Sarah Lynn: Your brother Edward.
Kirsty Mascara: Yes my incest fantasying twin brother Edward. On a night when I was looking at all of the evidence that I had about your story, with intent on coming here to show it to someone who would hopefully listen to me. He grabbed my phone and threw it at a wall smashing it. He then revealed that a member mafia paid him to do it. I then hit him, which then led to his new mafia friends doing what they did to you, to me. The reason why I’m in this room that’s all black and white lighting is because it represents the sadness and loneliness that I’ve been feeling since then.
Sarah Lynn: If there’s a mafia involved then they could be hoping for either someone to beat members of a rival mafia or someone in here to destroy their enemies.
Kirsty Mascara: That’s what I thought as well and it brings me to another issue that we need to discuss. You were once sent a letter. Inside it there was particular wording that you didn’t think twice about.
Sarah Lynn: The wording was “or my associate”.
Kirsty Mascara: That’s what secrets are telling me it was. They’re also telling me it sounded like you were too busy feeling excited about having a visitor that you didn’t notice how that sounded when talking about me.
Sarah Lynn: Wait, are you implying that the letter wasn’t written by you?
Kirsty Mascara: It was another loose end that my brother got told to fix. The funny thing is he thought his mafia friends were going to send somebody in here to beat you up. However, the reality is they wouldn’t risk the attention that they would get from entering a place like this so they don’t bother coming here themselves.
Sarah Lynn: I can believe that. A place like this is always looking for mafia members.
Kirsty Mascara: Correct.
Before anything else can be said the lights in the room go off and the cameras fade.
Guard: You’ve to go in there.
Sarah Lynn looks around the area and notices nobody is in any of the cells.
Sarah Lynn: Why have I got to go in there? It doesn’t even look like anyone has to come to this area.
Guard: All we were told was you had to attend a meeting in there.
Sarah Lynn: A meeting? Who asked for this meeting?
Guard: All we know is someone has asked to talk to you.
Sarah Lynn: What kind of person has the freedom to pick a meeting location? I spent months being told I wasn’t allowed to talk to anyone, now you’re telling me an unknown person can just request to see me. I need to speak to a lawyer or someone about this. However, before I do anything I want to know what about the two of you? Will you be in there with me? You know I can’t just go around the asylum without guards with me.
Second Guard: We understand that there are guards already in there so our job is to now watch this door, so you’ll be fine.
Sarah Lynn: In that case, I guess I have no choice but to go in there.
Sarah Lynn slowly walks to the door and enters the unknown room. As one of the guards closes the door the camera shows an empty room that’s in black and white lighting.
Sarah Lynn: Hello? Is anyone in here?
Sarah Lynn looking at a wall walks around the room.
Sarah Lynn: What’s going on? Why is this room all black and white?
Sarah Lynn looks at her hands and they’re black and white as well. Sarah looks at her clothes and they’re black and white as well.
Sarah Lynn: So the strange lights in this room have made me black and white as well.
Sarah Lynn continues to walk around the room, still looking between the walls confused about what’s going on. She finally sees the back of a person looking at the wall. Sarah Lynn walks over to the figure.
Sarah Lynn: Due to the lights I can’t tell if you’re a guard or not but why are you facing the wall?
The figure doesn’t reply.
Sarah Lynn: Wait a minute, the guards outside the door wouldn’t look at the door of this room, they would look at the Training Room. Are the guards in here copying those guards? If they are then where’s the host of this meeting?
Sarah Lynn walks past the guard and looks directly in front of her. The camera rotates and shows more guards looking at the wall on both sides of the room.
Sarah Lynn: More guards but still no clues about who organized this, or how they did it. I’m going to assume that the host wants me to walk to the end of the trail of guards.
Sarah Lynn begins to walk down to the end of the room.
Sarah Lynn: None of these guards are saying anything. They’re not moving at all. Are they even real?
Sarah Lynn finally makes it to the back of the room. A woman runs to Sarah and hugs her.
Woman: Sarah you finally made it.
Sarah Lynn pushes the woman back.
Sarah Lynn: Kirsty? What are you doing here? What’s with this room?
The camera rotates and shows Kirsty Mascara in black and white as well.
Kirsty Mascara: Yes Sarah it’s me. I’m here because of secrets. They talk to me and they want you to know the truth about everything. So I’m going to let you ask a question. Just a question but make sure it’s the right one that you ask.
Sarah Lynn: If you’re here to tell me secrets does that mean you know something about the night when I was arrested?
Kirsty Mascara: That’s right Sarah I do know things about that night. On the day you bumped into the man I was at that same wrestling training session that you were that day.
Sarah Lynn: That doesn’t sound like a secret because I remember you being there.
Kirsty Mascara: Let me finish. On the day I arrived really early. As I was waiting on others to arrive, I saw a ladder. In a curiosity might kill a cat but it’s not laid a finger on me yet moment I walked over to it and I set it up against the wall. I then climbed onto the roof of the training building and I sat up there until it was finally time to go into it for wrestling training. Somewhere in the region of forty-five minutes before training started, I saw a black car arrive and park outside the building. Inside the car, there was a man inside it and from where I was it looked like he was holding binoculars.
Sarah Lynn: Do you have any other secrets about this moment?
Kirsty Mascara: Of course I do. From where I was it looked like the man was looking at a specific person. The problem is I couldn’t see who he was looking at.
Sarah Lynn: So there’s a chance it might not have been me?
Kirsty Mascara: The next part might confirm that theory. So there we all were in the wrestling training session with the trainer giving us his legendary we’re just as bad as John Blade at cutting promos lines when his phone rang. He looked at one of the other students and said “Listen I need to take this.” That’s when he picked up a phone and ran into a toilet to answer it. Due to the fact that we were on a break, I went to the women’s toilet myself and that’s when I could hear shouting from the men’s toilet “What do you mean I owe you two million dollars? My wife will kill me if she finds out. What do you mean there’s now a hunt for me and someone has already found me and seen me?”
Sarah Lynn: So whoever he was on the phone to sent people to look for him but they couldn’t do anything else because there were too many of us with him at the time.
Kirsty Mascara: Exactly but there’s more. That night you were walking in the street heading towards the train station I was walking to get a bus on the other side of the street. That’s right Sarah I saw what you’ve been led to believe was a bump into the man. The reality is he recognized you from outside the wrestling training school and he moved his arm slightly closer to you so that you would bump it. It wasn’t an accident he wanted you to bump it on purpose so that he could send a message to the trainer.
Sarah Lynn: You were there when that happened? What else did you see that night?
Kirsty Mascara: I watched the man shout at you, he was loud enough that the entire street could hear him say you hit him and he was calling the police. Unfortunately, on the phone, he had to act like the victim so I couldn’t hear what he told the police on the phone. However, I did watch the police arrive in the area and question him. Again, from where I was, he tried to play the victim and make the most out of the situation. Then the police questioned you, but their mind was made up. You did the assault therefore you had no choice but to go to jail that night.
Sarah Lynn: What did you do?
Kirsty Mascara: My bus arrived so I went home.
Sarah Lynn: So you don’t have any other information about that night?
Kirsty Mascara: Not that night but I do know other secrets about the event.
Sarah Lynn: In that case please continue.
Kirsty Mascara: My dad is very obsessed with his kids being involved in his work. He likes to install CCTV cameras in locations a lot of which are very well hidden that people don’t know they’re there. The story goes a week or so after a court decided that you were guilty. My dad dragged me there to help him repair some cameras. So there we were in a Security Office in the court trying to work out what cameras were broken and what ones were working fine. It just so happened that a camera outside needed to be repaired so my dad left me in the room so that he could go and fix it. I was bored and out of my mind, so I came across a box. Inside the box, there were smaller boxes and inside those were discs. So, I took a box out and it had a date on it. I opened the box and put the DVD into a driver, and it came onto a screen in the room. The next thing I saw was the man who you bumped into opening a briefcase with money in it. The man then closed the briefcase and gave it to someone dressed as a court sheriff.
Sarah Lynn: A bribe?
Kirsty Mascara: Exactly, you’re only in here because the sheriff that you had in court was bribed to lock you up in here.
Sarah Lynn: Is there any way you can get evidence to support this?
Kirsty Mascara: Unfortunately, not anymore. As you now know I’m an inmate in this asylum. I’m in here because of.
Sarah Lynn: Your brother Edward.
Kirsty Mascara: Yes my incest fantasying twin brother Edward. On a night when I was looking at all of the evidence that I had about your story, with intent on coming here to show it to someone who would hopefully listen to me. He grabbed my phone and threw it at a wall smashing it. He then revealed that a member mafia paid him to do it. I then hit him, which then led to his new mafia friends doing what they did to you, to me. The reason why I’m in this room that’s all black and white lighting is because it represents the sadness and loneliness that I’ve been feeling since then.
Sarah Lynn: If there’s a mafia involved then they could be hoping for either someone to beat members of a rival mafia or someone in here to destroy their enemies.
Kirsty Mascara: That’s what I thought as well and it brings me to another issue that we need to discuss. You were once sent a letter. Inside it there was particular wording that you didn’t think twice about.
Sarah Lynn: The wording was “or my associate”.
Kirsty Mascara: That’s what secrets are telling me it was. They’re also telling me it sounded like you were too busy feeling excited about having a visitor that you didn’t notice how that sounded when talking about me.
Sarah Lynn: Wait, are you implying that the letter wasn’t written by you?
Kirsty Mascara: It was another loose end that my brother got told to fix. The funny thing is he thought his mafia friends were going to send somebody in here to beat you up. However, the reality is they wouldn’t risk the attention that they would get from entering a place like this so they don’t bother coming here themselves.
Sarah Lynn: I can believe that. A place like this is always looking for mafia members.
Kirsty Mascara: Correct.
Before anything else can be said the lights in the room go off and the cameras fade.
